Asset Protection Unit used during bushfire for first time

Source: Victoria Country Fire Authority

CFA’s Asset Protection Unit has been deployed in an active bushfire emergency for the first time, helping to protect the town of Woods Point from the Gaffneys Creek fire.

The unit, which is traditionally used during planned burning operations, uses a network of portable sprinkler systems to provide an added layer of protection around key buildings and infrastructure.  

CFA Planned Burning Commander Tim McKern said the deployment reflected a different way of using specialist capability already embedded within CFA. 

“This capability was designed to support the work that ground crews were already doing when they were undertaking asset protection duties,” Tim said. 

“The system is capable of expanding to up to 70 sprinklers, we deployed around 30 on this occasion supported by several kilometres of both 38mm and 64mm hose,” Tim said. 

A key feature of the system was its ability to operate independently of the town’s water supply, with water pumped directly from the local river, ensuring the hydrant network remained available for firefighting appliances. 

“That meant appliances could continue to focus on protecting individual homes and assets, while the system provided additional support around critical infrastructure,” Tim said. 

CFA District 23 Acting Assistant Chief Fire Officer Brett Myers said the deployment proved effective. 

“This was the first time this initiative had been used in a community setting in response to a potential fire threat, and the feedback from Woods Point was overwhelmingly positive,” Brett said. 

“Once the system was installed and tested, the community could see the level of protection it provided, and that reassurance was significant.” 

The system also allowed crews to be used more flexibly during the incident. 

“One of the major benefits was that it reduced the need for fire appliances to be positioned throughout the town,” Brett said. 

“That allowed crews to be deployed elsewhere, knowing the sprinkler system was in place and operating to support asset protection.” 

Brett said the deployment highlighted how the capability could be used more regularly in the future. 

“Only about half of the available equipment was used at Woods Point, which shows this could be applied in larger communities where there is an independent water supply,” Brett said. 

“Having a system that can be activated quickly is particularly valuable in remote locations, where it can take time to get additional resources on the ground.” 

Submitted by CFA Media

Harmony Week 2026

Source: Government of Western Australia

Did you know that more than 40 per cent of the City of Wanneroo community were born overseas?

WA Harmony Week runs from 15 to 21 March every year and is an opportunity for all Australians to celebrate our vibrant multicultural community.

Everything good about Australia can be found here in the City of Wanneroo – a City committed to the Aussie values of giving others a fair go and being there for our mates.

This year, the City of Wanneroo is celebrating with a range of community activities designed to celebrate multiculturalism, and encourage inclusiveness, respect and a sense of belonging for everyone.

Henna Workshop/Vietnamese Cooking

Monday 16 March // 4pm-7pm (ages 16 to 25)

Venue: Dordaak Kepup

Celebrate Harmony Week with a facilitated Henna workshop and youth-led Vietnamese cooking and youth activities. Held in collaboration with headspace Joondalup.

More info: Event Registration

Traditional Music & Dance of Japan for Harmony Week 

Tuesday 17 March 2026 // 11am – 12.30pm

Venue: Dordaak Kepup

Learn more about Japanese culture and experience the captivating sounds of traditional instruments and music.

More info: Event Brite Link

Samoan Story, Siva and Drumming for Harmony Week 

Tuesday 17 March 2026 // 2pm – 3.30pm

Venue: Clarkson Library

Experience traditional storytelling, graceful movements of Siva Samoa and powerful rhythms of drumming in a session designed for all ages.

More info: Event brite link

Harmony Cake Picnic 

Wednesday 18 March 2026, 10.30am – 12pm

Venue: Dordaak Kepup
Bring a treasured family baked good to our Harmony Cake picnic and share what makes it special to you and your family. 

Sweet or savoury, your contribution is your ticket to sample the delicious bakes of others and chat about your treasured memories of your item.

Event Brite link

Biscuit and Blooms 

Wednesday 18 March 2026 // 9.30am – 11am

Venue: Girrawheen Library

Enjoy a relaxed morning of connection, conversation, and community. Whether you’re a seasoned gardener or just starting out, everyone is welcome! Bring along a plant or cutting to swap and enjoy a cuppa – morning tea is provided.

Event Brite link

Vietnamese Culture and Dance for Harmony Week 

Thursday 19 March 2026 // 3pm – 4.30pm

Venue: Girrawheen Library

Discover more about Vietnamese culture through stories, costumes, music and dance.

More info: Event brite link

Evening in the Park

Friday 20 March 2026 // 3pm to 7pm

Venue: Hudson Park, Girrawheen

Celebrate Harmony Week by joining in the celebrations at this colourful multicultural event on Friday 20 March.

Bring the family for a spirited evening of music, cultural performances, local crafts and global food as we celebrate Harmony Week together.

More info: Evening in the Park – City of Wanneroo

Make Bamboo Brushes, Testing Them Out (Ink on Rice Paper)

Saturday 21 March 2026 // 1pm – 3pm

Venue: Dordaak Kepup

Learn to make bamboo brushes and use them to create Chinese calligraphic artworks on rice paper.

More info: Event brite link

Polynesian Dance and Culture for Harmony Week 

Saturday 21 March 2026 // 2pm – 3:30pm

Venue: Wanneroo Library

Learn about Polynesian cultural dance, traditions, haircutting ceremonies, food, and crafts from NIUE island.

More info: Event brite link

Funding Assistance

Funding assistance for community groups wanting to deliver Harmony Week events. More info at https://www.wanneroo.wa.gov.au/communityfunding

City appoints Director Corporate Strategy and Performance

Source: Government of Western Australia

The City of Wanneroo has appointed Emma Woolaston as its new Director Corporate Strategy and Performance.

The City of Wanneroo has appointed Emma Woolaston as its new Director Corporate Strategy and Performance, reinforcing its focus on disciplined planning and delivery as one of Western Australia’s fastest growing local governments.

Emma brings more than 20 years’ leadership experience across strategy, organisational performance and corporate services.

She will lead the City’s corporate strategy and performance functions, supporting delivery of the Council Plan and strengthening how the organisation plans, measures and delivers for the community.

City of Wanneroo CEO Bill Parker said the appointment comes at an important time for the City.

“We’re pleased to welcome Emma to the City,” he said.

“As one of Western Australia’s fastest growing local governments, it’s critical that we remain focused on clear priorities and disciplined delivery.

“Emma brings strong experience in leading strategic improvement and organisational performance, which will support the next phase of our growth.”

Emma will join the City from the City of Subiaco, where she served as Director Corporate Services and led significant organisational reform initiatives.

“I’m delighted to be joining the City of Wanneroo and contribute to its next phase of growth,’ she said.

“There’s a clear vision for the future and I look forward to working with Council Members and staff to help turn that vision into practical outcomes for the community.”

Emma’s appointment reinforces the City’s commitment to strong leadership and long-term planning as it continues to build a welcoming, connected community.

Emma will commence with the City on 8 June 2026.

Kingsway selected as an official training facility for AFC Women’s Asian Cup 2026

Source: Government of Western Australia

Kingsway Regional Sporting Complex will once again host international sporting teams after being selected as a training facility for the upcoming Women’s Asian Cup.

The Madeley venue is one of three WA facilities selected alongside E&D Litis Stadium in Mt Hawthorn and Sam Kerr Football Centre in Queens Park.

Wanneroo Mayor Linda Aitken said the selection solidifies Kingsway Regional Sporting Complex as one of the premier sporting facilities in the Perth’s northern suburbs and Greater Perth Area.

“As a City, we’re so proud of Kingsway’s selection in such a major international tournament,” she said.

“This will be twice in three years that this venue has hosted international women’s teams thanks to past upgrades which are now bearing fruit for the community.

“We welcome these teams to the City of Wanneroo with open arms and we know our residents are just as excited to be hosting these international athletes in our backyard.”

AFC Women’s Asian Cup Australia 2026 Local Organising Committee Chief Operating Officer Sarah Walsh commended all the chosen training facilities.

“Great tournaments aren’t only defined by what happens on match day — they’re shaped by the environments teams prepare in every single day,” she said.

“Our ambition has been clear from day one — to deliver the best conditions of any AFC Women’s Asian Cup in history.

“These venues ensure players from across Asia can train, recover and perform at the highest level, while leaving a lasting benefit for the local clubs and communities that call them home.”

The AFC Women’s Asian Cup 2026 will see matches held in Perth, Gold Coast and Sydney from 1 March to 21 March.

The State Government has also invested $750,000 at Kingsway to deliver upgrades to the audio system, seating and an electronic scoreboard, building on a previous $2.6 million investment through the WA Recovery Plan to upgrade lighting and facilities at the venue.

Queensland’s longest-running planned burn study informs effective landscape fire management

Source: Government of Queensland

Issued: 11 Feb 2026

Researchers have arrived in Peachester State Forest to collect environmental samples to help unlock new insights into how planned burns shape and support ecosystems.

Decades-long research in Peachester State Forest has proven planned burns can have a positive impact on environmental health if they’re conducted at intervals specific to the ecosystem.

The program, which began in 1969, is Queensland’s longest-running fire regime study, allowing researchers to analyse 55 years of data.

Following a planned burn in Peachester in December, researchers have returned to the State forest to collect soil, leaf litter and insect samples to assess chemical and biological changes.

The analysis of decades of data shows different frequencies of low intensity planned burns influence carbon storage, nutrient ratios, nutrient cycling and associated microbial and invertebrate communities.

Griffith University School of Environment and Science and Australian Rivers Institute Distinguished Professor Chengrong Chen and Dr Bruce Lan are leading the research, with support from the Queensland Parks and Wildlife Service (QPWS). Their latest findings are set to be published by Griffith University.

The ongoing study facilitates the use of planned burns for landscape management – a practice used by Australia’s First Nations peoples for thousands of years and continues to be used by QPWS.

Professor Chen said as part of the study, dedicated plots of the State forest are burned approximately every two years, others burned approximately every four years with the remainder unburned since 1969.

“This study is allowing researchers to understand the long-term benefits of repeated fire frequency on ecosystem diversity and function, soil carbon and nutrient stocks and soil health,” Professor Chen said.

“This study has shown that significant fire regime improvements can be made by adjusting the frequency of these burns.

“In Peachester, planned burns every four years are highly effective in supporting healthy native wet sclerophyll forests by introducing phosphorus, calcium and potassium into the soil.

“Planned burns are important to mitigate the impacts of bushfire, but our research has shown that they can improve protected areas if they are conducted at intervals that best suit the ecosystem.”

QPWS Maleny Senior Ranger Donna Haslam said studies like Peachester provide science-based evidence of the best time to conduct planned burns in similar environments.

“When we’re planning a burn, we consider how the area’s plants, animals and ecosystems respond to fire and we tailor our plans to suit those needs,” Senior Ranger Haslam said.

“It’s important we continue to look at how the landscapes and ecosystems we’re working in respond to fire and planned burns to ensure our work is supporting a healthy environment.”

Other fire regime research projects are taking place in Bauple State Forest near Gympie and Tagalaka National Park in Far North Queensland to paint a clearer picture of how frequent planned burns influence Queensland’s ecosystems.

To find out more about how and why QPWS undertakes planned burns for ecological purposes, visit the QPWS Fire Management.

February Ordinary Council Meeting Outcomes

Source: Government of Western Australia

At the City’s Ordinary Council Meeting on Tuesday 24 February, Council made the following decisions:

Funding secured for Neaves Road safety improvements

Council has accepted a $3.75 million Federal Government grant to deliver important safety upgrades along Neaves Road.

This funding enables the City to progress widening works, sealed shoulders, centreline treatments and other improvements aimed at reducing crashes and enhancing safety for all road users, including heavy vehicles.

The City will co‑fund the project, with detailed design planned for next financial year and construction to follow. These upgrades will provide immediate safety benefits and support Neaves Road’s future role within a rapidly developing region.

Strengthening safety across our City

Council endorsed a new three-year contract for the maintenance and management of the City’s CCTV network.

 CCTV plays an important role in supporting community safety, assisting WA Police and helping residents feel safer in public places. The contract ensures our extensive CCTV network is professionally maintained, reliable and operating at its best.

Local contractor Prestige Alarms has been appointed to deliver these services following a rigorous and competitive tender process.

Keeping our community safe remains one of the City’s top priorities, and this decision helps ensure our CCTV systems continue to support a safer, more connected Wanneroo.

City to trial maintenance reporting mobile app Snap Send Solve

Council has endorsed a 12-month trial of Snap Send Solve, a mobile app that allows fast, on-the-spot reporting of local maintenance issues. The app lets users take a photo, confirm the location and send the report directly from their phone in just a few taps.

Snap Send Solve will operate as a complimentary reporting channel alongside the City’s existing online services. Residents can continue to lodge requests through the Council website, with the app providing an additional, convenient way to report issues such as graffiti, damaged footpaths, litter, or broken park equipment. 

Improving customer experience is a key priority under our Customer First Strategy, and this trial aims to offer residents an alternative way to report maintenance and service requests. The trial will help the City assess whether the app improves reporting convenience, speeds up response times and enhances the overall customer experience.

Further details on how and when residents can start using the platform will be shared ahead of the trial launch.

Step forward for Neerabup Resource Recovery Precinct

Council has voted to progress the $75 million Neerabup Resource Recovery Precinct (NRRP) to detailed design, marking a major milestone in planning for the City’s future waste needs.

Learn more, via the full media release.

For further information, please refer to the 24 February Ordinary Council Meeting Agenda.

Step forward for Neerabup Resource Recovery Precinct

Source: Government of Western Australia

Wanneroo Council has voted to proceed with the business plan for the Neerabup Resource Recovery Precinct (NRRP).

With the Tamala Park landfill expected to close in the coming years, the precinct forms part of the City’s long-term approach to reducing reliance on landfill and increasing resource recovery.

The masterplan for the 30-hectare site proposes a Waste Transfer Station (WTS), Community Recycling Centre (CRC) and Materials Recovery Facility (MRF). Located next to the existing Neerabup Power Station and about 1.8 km from the nearest residential area, the precinct will consolidate the City’s waste services into a single, purpose-built location.

Mayor Linda Aitken said the Council’s endorsement of the business plan reflected responsible and future-focused planning.

“This precinct supports our commitment to building a more sustainable City, while managing community resources responsibly,” she said.

“This is not a landfill. It’s about modern, enclosed and well-managed systems that will help us recover, reuse and repurpose far more of what would otherwise be thrown away – delivering long-term benefits for our community and our environment.”

The proposed Waste Transfer Station will be fully enclosed and engineered to manage odour, noise and dust with residual waste removed daily under a clean floor policy.

“We appreciate the community input received during the planning process,” Mayor Aitken said.

“That feedback will continue to inform detailed design and how the project evolves, alongside State environmental approvals and technical assessment”.

Tenders for the WTF and CRC are expected to be called later this year or in early 2027, with construction expected to take around 18 months, subject to the receipt of all required approvals, including the Western Australian Department of Water and Environmental Regulation.

For more information on the project, visit wanneroo.wa.gov.au/nrrp

Glossary Waste Transfer Station (WTS) A facility that receives household waste and consolidates it into larger loads for efficient transport to recycling or disposal facilities. This is cleared daily.

Community Recycling Centre (CRC) A community drop-off facility for recyclables, reusable items and materials that are difficult to dispose of through kerbside services.

Materials Recovery Facility (MRF) A facility that sorts mixed recycling (yellow lid bins) into separate materials – such as paper, plastics and metals — so they can be reused by manufacturers.

Ausfilm and Screen Australia launch joint UK market initiative

Source: Australia Government Statements 4

02 03 2026 – Media release

Ausfilm and Screen Australia have announced Partner with Australia (UK), a new initiative designed to deepen creative and commercial partnerships between the Australian and UK screen industries.
Taking place in London from 16–18 June 2026, the program will bring a curated delegation of Australian creatives and Ausfilm member businesses to the UK for three days of targeted industry engagement. Through roundtables, keynote and panel discussions, and structured networking sessions delivered in partnership with key UK industry bodies including the British Film Institute (BFI), Film London and Pact, the initiative will create direct pathways for co-development, production and broader collaboration under the Australia–UK Co-production treaty.
Partner with Australia positions Australian creatives and businesses as collaborative partners of choice on world-class productions. The initiative aims to capitalise on the strong cultural and economic alignment between Australia and the UK, supporting official and unofficial co-productions, location shooting, post-production partnerships and broader cultural export.
Ausfilm CEO Kate Marks said the initiative would present a clear and confident message to the UK market.
“We’re proud to be leading Partner with Australia alongside Screen Australia and working closely with the BFI, Film London and Pact to create meaningful opportunities for our industry. The UK is a natural partner for Australia, and this initiative ensures we are engaging in a focused and strategic way.
“It’s also an opportunity to highlight Australia’s exceptional creative talent, production and post-production expertise and globally competitive screen incentives, which together offer significant value for international collaborators.”
The announcement builds on the strong and enduring history of collaboration between the two countries. Australia–UK Official Co-productions – including the upcoming series Careless, the feature films Prima Facie and FING!, and previous documentaries Shane, The Australian Dream and David Attenborough’s Life in Colour – highlight the depth of cross border creative partnerships. In addition, titles such as The Dispatcher and Breakers, currently being produced in Australia, further demonstrate the growing momentum of shared storytelling.
Screen Australia CEO Deirdre Brennan said the program is designed to deliver practical, concrete outcomes for experienced Australian creatives building on the international momentum around our talent and IP.
“The UK is one of Australia’s most important creative partners and this initiative will only strengthen the ties of our screen sectors. Partner with Australia is a focused platform to develop new relationships and advance projects that provide exciting avenues for genuine co-production and co-development.
“By supporting Australian companies and proven creatives with UK traction, we are strengthening the pipeline of projects that can be realised under the Australia–UK treaty, ensuring unique Australian stories and values continue to resonate with global audiences.”
Applications are now open on the Screen Australia website, with up to 20 production companies and up to 10 writer/creators eligible for funding of up to $10,000 each to support travel and accommodation in the UK, as well as related market opportunities in the region. Applications close 5pm AEDT Thursday 26 March 2026.
The funding is targeted at experienced producers and creatives with a proven ability to deliver projects of scale and a demonstrated connection to the UK market, ensuring the delegation is well-positioned to secure new partnerships and advance projects into development and production.
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MEDIA ENQUIRIES
AusfilmTom Roache, Director of Marketing, Communications & Industry Partnerships[email protected]
Media enquiries
Alyssa Lim | Publicist (Mon-Fri)
+ 61 2 8113 5915  | [email protected]
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Screen Australia announces Rachel Perkins as Director of First Nations Strategy

Source: Australia Government Statements 4

27 02 2026 – Media release

Rachel Perkins. Photo credit: John Platt. 
Screen Australia has today announced the appointment of Rachel Perkins as Director of First Nations Strategy. A proud Arrernte and Kalkadoon woman with German and Irish heritage, Rachel is one of the nation’s most renowned screen practitioners, bringing unique, compelling stories to life and advocating Aboriginal and Torres Strait Islander self-representation and equity for more than thirty years.
An agenda-setting filmmaker and policy leader, Rachel has lent her high-level expertise to a number of influential organisations in leadership roles across Screen Australia, AFTRS, SBS, ABC, the Australian Film Commission, NITV, Indigenous Screen Australia, the NSW Film and Television Office, the National Indigenous Media Association of Australia and the First Nations Heritage Protection Alliance.
As co-founder of production company Blackfella Films, Rachel has long driven and shaped First Nations storytelling in Australia with a strong focus on self-representation, told by and with Indigenous media practitioners. A transformative director, writer and producer for drama and documentary projects across TV and film, her credentials include work on pioneering and award-winning projects like Mystery Road, Total Control, The Australian Wars, Redfern Now, Bran Nue Dae, Radiance, Mabo and First Australians.
In the newly created role, Rachel will lead the strategic direction for Screen Australia’s First Nations Department and the broader sector by shaping recommendations for future policy, guiding investment priorities and driving engagement with government, culture and screen industry stakeholders.
Rachel Perkins said, “Screen Australia has such an important role in our nation’s cultural ecosystem, so I’m proud to play my part in ensuring all Australians continue to see themselves represented on screen. In particular, I’m passionate about the opportunity to provide the strategic support for First Nations creators and businesses to be empowered, own their stories and thrive.”
“The First Nations Department has a long legacy of incredible work. I’m keen to continue championing our exceptional Aboriginal and Torres Strait Islander screen practitioners and forge a path for the next generation of talent – delivering the kind of stories that will enrich and uplift the entirety of Australia’s innovative screen industry and audiences across the globe.”
Screen Australia CEO Deirdre Brennan said, “Rachel’s appointment marks a bold new chapter, not just for Screen Australia’s First Nations Department, but for the future of local storytelling as a whole.”
“We created this new role because First Nations stories and contribution to our industry are more important than ever. Rachel’s deep experience across content, education, culture, advocacy and complex organisations makes her uniquely positioned to shape an exciting future for Screen Australia. No doubt she’ll continue to strengthen a vibrant screen industry that reflects the depth and diversity of Australian stories.”
Commencing in the position on 2 March 2026, Rachel will report directly to Brennan and will also work closely with recently appointed Head of First Nations Content, Gillian Moody-Ardler, who provides creative and operational direction for First Nations content investment.
For accompanying image assets, click here.
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Media enquiries
Alyssa Lim | Publicist (Mon-Fri)
+ 61 2 8113 5915  | [email protected]
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Screen Australia announces funding for 44 documentary projects that reflect a “sector unafraid to innovate and speak with authentic voices”

Source: Australia Government Statements 4

24 02 2026 – Media release

Top (L-R): Tina Arena: Unravel Me, Atomic Paradise.Bottom (L-R): TAMPA: The Ship That Turned the Tide, Tastes of Africa.
Screen Australia has today announced 44 documentaries that will share in $5.6 million across production and development funding – projects that reflect the depth and diversity of Australian stories.
Projects include Australian and New Zealand co-production Atomic Paradise, major series TAMPA: The Ship That Turned the Tide from award-winning producers at Mint Pictures, The Man Who Ate a Succulent Chinese Meal exploring the figure behind the internet meme sensation, and YouTube series Tastes of Africa and The Wombat Guy.
Screen Australia Head of Documentary Richard Huddleston said, “From brave historical interrogations and intimate character studies to timely geopolitical examinations, natural history epics and fresh digital‑first storytelling, these stories reflect a sector unafraid to innovate and to speak with authentic and diverse voices.
“The projects also speak to the curiosity, craft and ambition of Australian documentarians – it’s a privilege to support these teams as they bring unique perspectives to local and global audiences.”
Some of the supported projects include:  

TAMPA: The Ship That Turned the Tide: From the multi-award-winning producers at Mint Pictures (When The War is Over, The Hunt for the Last Nazis), this series is an in-depth look at ‘the Tampa crisis’ – the dramatic eight-day showdown at sea that triggered a diplomatic standoff between Canberra, Jakarta and Oslo. Major production investment from the ABC and Screen Australia, financed with support from Screen NSW. International distribution by ABC Commercial.
Atomic Paradise: From award-winning First Nations director John Harvey (Still We Rise, Off Country), Emmy Award-nominated producer Sally Aitken (Every Little Thing, Hot Potato: The Story of the Wiggles) and executive producer Aline Jacques (Hot Potato: The Story of the Wiggles), Atomic Paradise is a cinematic experience that reclaims the Pacific’s nuclear testing history through a First Nations lens. A co-production with New Zealand, this bold and unflinching feature is financed with principal production funding from Screen Australia with production support from the Shark Island Foundation and Screen NSW. Local distribution by Umbrella ANZ.
Empire In Colour: An Australian/Canadian Official Co-production, Empire In Colour is led by Emmy Award-winning producer Jo-anne McGowan (Edge of Life, River) and directed by John Harvey (Still We Rise) in Australia and by Sundance and Peabody Award-winning, Emmy-nominated Canadian filmmakers Catherine Bainbridge and Ernest Webb from Rezolution Pictures. Developed in conjunction with SBS and Canadian public education broadcaster TVO, the four-part series uses newly colourised archival footage to explore the lasting impact of the British Empire, prompting an honest exploration with its legacy. Empire In Colour received major production investment from Screen Australia and SBS and was financed with support from Screen NSW, TVO and TFO with support from the Canadian Media Fund. It will be distributed locally by SBS, with international sales by Fremantle.
Tina Arena: Unravel Me: Acclaimed director and Wonnarua man Adrian Russell Wills (Black Divaz), executive producer Mark Fennessey (Mystify: Michael Hutchence) and producer Jessica Carrera (Paper Dolls) unravel five extraordinary decades of pop icon Tina Arena’s career, revealing a life devoted to music. Principal production funding from Screen Australia, in association with Screen NSW and the Seven Network.
The Man Who Ate a Succulent Chinese Meal: Multi-award winning director/producer Heath Davis (Book Week) and producer Jonathan Page (Knowing the Score), together with Ruth Harrison and Tim Randall in their filmmaking debut, tell the shocking life story of an internet icon propelled to global fame after his theatrical arrest eating a “succulent Chinese meal”. Principal production funding from Screen Australia, in association with Screen NSW. Local distribution by Bonsai Films.
Tastes of Africa: From producer and 2025 Digital Originals recipient Kauthar Abdulalim (Salma’s Season) and emerging writer/director Rendah Haj (Hayat) comes Tastes of Africa. Hosted by Santilla Chingaipe, this online/direct-to-audience series for YouTube takes viewers across Melbourne’s kitchens, community cook-ups and hidden eateries, guided by the traditional wisdom of aunties and younger African-Australians boldly reinterpreting recipes. Principal production funding from Screen Australia, in association with VicScreen.
The Wombat Guy: Directed by Tahnee McGuire (Strong Women) and produced by the all-female Queensland collective Five Storey Films (Rebecca McElroy, Emma Sargent, Jenine Olliver and Anna Jeffries), The Wombat Guy tells the story of shiftworking “sparky” and passionate wildlife rescuer Josh Neille. With his boundless energy and humour, Josh, his wife Amber and their spirited daughter Ashlee rehabilitate a menagerie of wildlife on their rural hobby farm. Created for social media, this ambitious 24-part series received principal production funding from Screen Australia, with support from Canadian production company Open Door.
This is Amy Taylor: Writer/director Eddie Martin (All This Mayhem) follows the frontwoman of punk band Amyl and the Sniffers in This is Amy Taylor. Produced by Shannon Swan (Gurrumul,  Lygon Street: Si Parla Italiano) and executive produced by Cody Greenwood (Under the Volcano), the feature received development funding.
MOONSHOT: From award-winning writer/director/producer Anna Broinowski (Aim High in Creation!), executive producer Tim White (Beast), story consultant Alex Proyas (The Crow) and producers Media Stockade (Mozart’s Sister, Back To Nature), this innovative cli-fi, hybrid documentary feature uses expert interviews, eye-witness testimonies and hard scientific evidence to investigate the possibility the super-rich are building a luxury colony on the dark side of the Moon. Set in 2033, this dark satire received development funding.

The full list of documentary blocklines is available here. The latest projects funded for documentary development are available here.  
For accompanying image assets, click here.
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Media enquiries
Alyssa Lim | Publicist (Mon-Fri)
+ 61 2 8113 5915  | [email protected]
All other general/non-media enquiries
Sydney + 61 2 8113 5800  |  Melbourne + 61 3 8682 1900 | [email protected]