Storage vital to meeting winter demand across east coast gas market in Q3 2026

Source: Australian Ministers for Regional Development

Wholesale gas supply on Australia’s east coast is expected to be tight and large volumes of gas will likely be required from storage to meet demand in the third quarter of 2026, the ACCC’s latest gas inquiry report reveals.

The east coast gas market is predicted to have a supply-demand balance of between a 12 petajoule (PJ) shortfall and a 3 PJ surplus in the third quarter of 2026, depending on how much uncontracted gas is exported by liquid natural gas (LNG) producers.

Planned maintenance on LNG plants may affect exports during the quarter.

Gas supply is expected to be particularly tight for the southern states (Victoria, New South Wales, South Australia, Tasmania and the Australian Capital Territory), with additional gas needed every month between April and September 2026.

The additional gas will need to be sourced from either Queensland via the South-West Queensland Pipeline or be withdrawn from storage facilities.

Iona Underground Gas Storage in Melbourne’s west is the largest of these storage facilities and is currently on track to be full by early May. 

“The amount of stored gas available in the southern states in the third quarter of this year will depend significantly on how much gas is drawn down over the coming months,” ACCC Chair Gina Cass-Gottlieb said.

“We project the southern states will have a supply gap of 16 PJ in July 2026 alone, so it is important that the Iona storage facility reaches its maximum capacity ahead of winter.”

“We anticipate that the market may also need support from LNG producers to meet demand, which would also ease pressure on storage facilities.” Ms Cass-Gottlieb said.

Southern states supply-demand outlook for April to September 2026 (PJ)

Source:   ACCC analysis of data obtained from gas producers in January 2026 and of the domestic demand forecast (Step Change scenario) from AEMO, Gas Statement of Opportunities, March 2026.

Note: ‘Potential supply from Queensland’ is the amount of excess gas that can be transported to the southern states in the scenario where LNG producers export all their uncontracted gas. There will be additional Queensland excess gas available if LNG producers export less uncontracted gas.

Prices increase as buyers seek to secure future supply

Gas prices offered by producers under long-term contracts for 2026 increased in the final quarter of 2025 by an average of 4 per cent, to $13.55 per gigajoule (GJ).

Equivalent contract prices offered by retailers averaged $13.93/GJ, an increase of 3 per cent over the same period.

“Despite recent increases, contracted gas prices for 2026 remain steady at around $13-15 per gigajoule – well down from the very high levels seen during 2022-23.” Ms Cass-Gottlieb said.

Producer prices for 2027 supply rose by 10 per cent to $13.93/GJ, while retailer prices for supply in 2027 fell by 6 per cent to $14.31/GJ.

Middle East conflict

The information on contracted prices and volumes in this report reflect market conditions up to January 2026.

Future reports will cover any effects of recent global market developments, including in the Middle East, on domestic gas prices and supply.

“Changes in global energy prices may impact domestic gas prices through commodity-linked mechanisms in long-term contracts, and where market participants have regard to international prices when determining fixed prices,” Ms Cass-Gottlieb said.

“Higher international LNG prices may also incentivise higher exports from Australia and affect spot gas prices,”

“So far, domestic spot prices are trading below the long-term contract prices published in this report,” Ms Cass-Gottlieb said.

“However, we know the situation is continuing to evolve, and we will be closely monitoring the impact of the conflict in the Middle East on domestic natural gas prices and the supply outlook.”

Buyers in the east coast gas market typically maintain gas portfolios comprising both contracted and spot gas. This means the impact of recent international LNG price spikes may be partly offset by the contracted pricing arrangements already in place.

LNG netback price series will be maintained

Following a review of the LNG netback price series, the ACCC will continue publishing netback prices, which provides greater transparency on prices that may be offered by LNG producers.

This decision has been made after reviewing global and domestic gas market developments, and considering public submissions from a range of gas market participants, including LNG producers, domestic producers, retailers and user representatives.

Key elements of the methodology will be maintained, including:

  • using the Japan-Korea Marker as the short‑term reference price and forward Brent crude for medium‑term pricing
  • 2‑year and 5‑year forward timeframes for the short and medium-term series
  • existing approaches to account for freight, liquefaction and pipeline costs.

Background

Australia’s east coast gas market is an interconnected grid joining Queensland, New South Wales, Victoria, South Australia, Tasmania and the ACT. The Northern Territory and Western Australia are separate gas regions.

In 2025, the Australian Treasurer directed the ACCC to hold an inquiry into the market for the supply of natural gas in Australia. This direction provided that the ACCC would continue its inquiry into the gas market, which first commenced in 2017. The 2025 direction requires the ACCC to conduct the inquiry until 30 June 2030.

The ACCC’s inquiry examines the wholesale gas market, primarily gas sold by producers to large gas buyers, including commercial and industrial gas users and gas retailers.

LNG netback prices are a measure of the opportunity cost to LNG producers of supplying uncontracted gas to the domestic market, rather than to Asian LNG markets.

It is calculated by taking the price that could be received for LNG and subtracting or ‘netting back’ the costs incurred by the supplier to convert the gas to LNG and ship it to the destination port. It represents the point of financial indifference for LNG producers between supplying the domestic market and exporting the gas.  The ACCC began publishing LNG netback prices in 2018 to improve price transparency in the east coast gas market.

Spot prices reflect values as of 31 March 2026.

The ACCC’s next interim gas inquiry report is scheduled for June 2026.

New recruits bolster January response in Molesworth

Source: Victoria Country Fire Authority

New recruits in Molesworth Fire Brigade have already put their training to use, jumping on trucks to assist with the January fires just months after their training was finalised.

Six fresh new faces were part of the brigade’s response this fire season where they had the opportunity to put their training into action and defend not only their own homes but also those of the broader community.  

The group wrapped up their training at the end of November 2025 and brigade Captain Nicholas Fisher said it was great to see them already making a difference as firefighters.   

“It is wonderful to have some new young blood in the mix alongside our existing group,” Nicholas said.  

“Through jumping on the trucks for the Longwood fire they essentially got ten years’ worth of experience in just a few weeks.” 

Kelly Timms was one of the members who joined the brigade and said it was a whirlwind to finish the training and be thrust into one of the most major fire seasons in the state’s recent history.  

“My partner has been involved with the brigade for over 30 years and I always thought I didn’t have the time. But I wanted to do more for the community so I decided CFA was a way I could do that while also doing something with my partner,” Kelly said.  

“The only time I had seen a fire truck was when I would pick him up from the station or when they would come down to the kinder. 

“We had training nights down at the station where we went through a lot of theory and they really prepared us for our General Firefighter training.” 

Kelly said her confidence grew ten-fold after training and she was able to lean on that to protect her own property.  

“I was really nervous, I hadn’t even been to a little grass fire down the road, but our trainers John Morris and Shannon Roach had always said to me ‘trust in your training’,” Kelly said. 

“And it was because of that training my partner and I were not only able to save our home and our business, but help other people in the community. 

“It wasn’t all just about firefighting though. One day we met some friends at the roadblocks who delivered us some sandwiches, and we just drove them around to all the smaller brigades in the area who didn’t have access to a big town with supermarkets or lots of catering services.” 

Kelly said she was also able to polish and refine her skills in the weeks after the fire. 

“There was a lot of mopping up to do so I spent so much time on the truck – I really knew it inside out,” Kelly said.  

“All those hours on the truck cemented my knowledge and will help if something like this ever happens again or even when I am attending a small grass fire up the road. It was such valuable experience.” 

For those who are unsure if they should sign up or think they might not have the time, Kelly said they should at least visit a station, talk to the volunteers, and see what it is all about. 

“There are so many things you can do that don’t involve fighting the fire,” Kelly said.  

“Brigades always need help sweeping the floors or washing the trucks. 

“You’re also a volunteer so you can work it around your life. More people in a brigade means the more the workload can be shared which then means the more flexible it can be.” 

Kelly also said the experience of becoming a volunteer opened her eyes to what people can do to help the CFA even if they aren’t members.  

“This fire season in particular has stressed the importance of being properly prepared,” Kelly said.  

“Ensure you do things like trim back trees, make sure a fire truck could fit in your driveway, have the proper tank fittings for your hoses – all these things help us out without you ever signing up.” 

Submitted by CFA Media

Two people charged with aggravated assault in relation to an incident at Sorell last night

Source: Tasmania Police

Two people charged with aggravated assault in relation to an incident at Sorell last night

Wednesday, 1 April 2026 – 10:26 am.

Two people have been charged with aggravated assault in relation to an incident at Sorell last night where a man sustained non-life-threatening injuries.
About 9.30pm, police and emergency services responded to reports that a pedestrian had been struck by a vehicle on Weston Hill Road.
The vehicle had reportedly left the scene.
The 43-year-old man from Sorell was provided medical assistance at the scene and was transported by Ambulance to the Royal Hobart Hospital with what were reported to be non-life-threatening injuries.
The vehicle was located by police at an address in Forcett.
A 48-year-old man and a 46-year-old woman have each been charged with aggravated assault, and will appear in court at a later date.
Police will allege the people involved in the incident were known to each other.

Screen Australia announces Narrative Content funding for 91 projects, including four short films paired with industry mentors

Source: Australia Government Statements 4

01 04 2026 – Media release

Top (L-R): Little J & Big Cuz, Lucy Durack (The Funeral Singer).Bottom (L-R): S. Shakthidharan (The Laugh of Lakshmi), Haein Kim and Paul Rhodes (Lazy Love (Lasagne 365)).
Screen Australia has today announced $20.4 million of production and development funding across 91 narrative projects, including the first projects through its new Short Film Production Funding Program.
Among the titles is a new season of the award-winning children’s series Little J & Big Cuz, an untitled Official Australian/Canadian Co-production feature film marking Cody Fern’s directorial debut, animated mystery musical direct-to-audience series The Art of Murder for YouTube, and family film Silver Beach (working title).
Sundowner, The Novelty, Inferno and Lazy Love (Lasagne 365) are the first short films to receive production funding through the new program, marking the agency’s return to direct investment in the format and reaffirming its vital role in the careers of future feature filmmakers. Alongside this support, participating teams will receive professional mentorship from an exceptional cohort of industry directors whose insight will help strengthen skills, elevate projects and support pathways to extended narrative production. Mentors include Beck Cole (High Country, Deadloch), Isobel Knowles and Van Sowerwine (The World Came Flooding In, Passenger), Noora Niasari (Shayda) and Goran Stolevski (Of An Age). 
Screen Australia Director of Narrative Content Louise Gough said, “The range of these 91 projects showcases the depth, diversity and bold creativity of local storytellers, shaped with Australia’s unique blend of humour, style and perspective. We’re particularly lucky to have industry figures of such calibre to mentor the four directors of our Short Film Program, guiding them to hone their unique, imaginative shorts for cinema and festival audiences. No doubt this experience will help the short film teams to grow their craft, build recognition and eventually move toward long‑form storytelling.”
Some of the supported projects include:  

The Laugh of Lakshmi: A debut feature film about a mother and a son separated by a civil war from acclaimed theatre writer/director S. Shakthidharan (Counting and Cracking, The Jungle and The Sea). Written and directed by Shakthi and produced by award-winning producers John Maynard (Balibo), Vivek Rangachari (The Lunchbox) and executive producer Bridget Ikin (Sherpa, Look Both Ways). The Laugh of Lakshmi is filmed in Northern Sri Lanka and Western Sydney in Tamil and English. Major production investment from Screen Australia, in association with the Felix Foundation and Palmera. Financed with support from Screen NSW. Local distribution by Footprint Films and international sales by Maze Film Sales.
Untitled Feature Film: An Official Australian/Canadian Co-production and the feature directorial debut from actor Cody Fern starring Naomi Watts, Sarah Paulson, Odessa A’zion, Dianne Wiest and Toby Wallace. The film centres on a celebrated actress whose life begins to unravel on the eve of her greatest performance. Produced by Matilda Comers and Will Howarth for Fictious, alongside Nancy Grant (Mommy, Sentimental Value) and Rosalie Chicoine Perreault (Geographies of Solitude), the film has received major production investment from Telefilm Canada and Screen Australia. Distributed by Icon in Australia and Elevation Pictures in Canada. International sales by mk2.
Fortitude Valley: Written, created and executive produced by Moving Floor Entertainment co-founders Stephen M Irwin and Leigh McGrath (Harrow), with Hunter Page-Lochard (Reckless, Beep and Mort), this gripping six-part crime thriller stars Page-Lochard and acclaimed actress Kat Stewart. Filmed and set in Queensland’s capital city, the series explores family secrets, the corrupting force of power and the complicated truths behind lies. Fortitude Valley is directed by Sian Davies (Black Snow), produced by Andrew Walker (Deadloch) and co-produced by Ross Allsop (The Artful Dodger), with executive producer Greg Sitch (Fisk). Major production investment from Screen Australia, the ABC and Screen Queensland. International sales by DCD Rights.
Little J & Big Cuz Series 5: The award-winning animated children’s series for NITV and the ABC returns for a fifth season. From director and Trawlwoolway man Tony Thorne, the series follows five-year-old Little J and nine-year-old Big Cuz, two First Nations Australian kids who, with the help of Nanna and their teacher Ms Chen, find out all about culture, community and Country. Co-produced by Ned Lander Media and First Nations company Ramu Productions, the series has received major production investment from Screen Australia and the ABC, in association with NITV. Financed with support from the Australian Children’s Television Foundation with Vicscreen, Screen Tasmania and the Australian Council for Educational Research. International sales by the Australian Children’s Television Foundation.
Agata the Writer: A debut feature from Polish-born Australian writer/director/video artist Kuba Dorabialski and produced by Alex White (Babyteeth). Mia Wasikowska stars as a Polish-Australian satirical novelist who travels from Sydney to Sarajevo to write a war novel. Challenged by locals who question her motives, her creative uncertainty grows while a startling mystery unfolds. Executive produced by Erik Black, Mia Wasikowski and Alémais, Agata the Writer has received principal production funding from Screen Australia. Financed with support from Creative Australia and the Adelaide Film Festival Investment Fund. Local distribution by Bonsai Films.
The Art of Murder: An animated series to be released on YouTube from Choc Chip Animation Studios. Spearheaded by sisters Nirali Somaia (writer/director) and Anokhi Somaia (writer/producer), this murder mystery musical is a love letter to pop culture and the artist’s journey, set in a world where sketchbook drawings come to life. Featuring voice actors Joey Bizinger (The Anime Man), Joey Richter and Lauren Lopez (Team Starkid), Megan Lee (KPop Demon Hunters) and Lizzie Freeman (The Amazing Digital Circus), with composers Sonya Belousova and Giona Ostinelli (One Piece, The Witcher). Principal production funding from Screen Australia, in association with Choc Chip Animation Studios and VicScreen.
Silver Beach (working title): From multi-award-winning producer and executive producer Joanna Werner (Goolagong, Knee High Spies) and executive producer and creator Rachel Davis (Mustangs FC, Turn Up The Volume), with AWGIE award-winning screenwriter Alix Beane (The Strange Chores, Rock Island Mysteries), Silver Beach is a family film about friendship, self-acceptance and the courage to pursue your dreams. Major production investment from Screen Australia, in association with the Australian Children’s Television Foundation and Stan. Financed with support from Screen Queensland with VicScreen. International sales by the Australian Children’s Television Foundation.
The Funeral Singer: A six‑part romantic comedy series from Jungle Entertainment that navigates grief, fear and falling in love in the most unlikely of places. Created by Lucy Durack (Love in Lockdown) and written by Leon Ford (Upright, Dog Park), with executive producers Jason Burrows and Chloe Rickard for Jungle Entertainment. The Funeral Singer received development funding.
Asian Girls: A horror film which expands on the successful short of the same name, this feature is from writer/director Hyun Lee (Fake), with producers Georgia Noe and Matt Noonan (Hunt for the Wilderpeople). A driven Korean‑Australian woman plagued by relentless visions of ghosts, Kim receives a stark warning from a Korean shaman that she must give up her career aspirations to become a shaman herself. Asian Girls received development funding.

The Narrative Content Short Film supported projects are:

Sundowner: From Western Australian First Nations filmmakers, this romantic comedy is produced by Shakara Walley (Aussie Rangers), directed by Gary Hamaguchi (Doug the Human, The Lost Crystals of Jessica’s Room) and co-written by Calen Tassone (The Heights, Irreverent) and Jamahl Ryder. The film is based in a First Nations cultural awareness training organisation where office worker Stephen must decide to follow either his head or his heart. The Sundowner team will be mentored by director Beck Cole (High Country, Deadloch). Principal production funding from Screen Australia.
The Novelty: Driven by a female‑led creative team including writer, director and producer Charlotte Mungomery (This is Not Here), with producers Rebecca Lamond (The Golden Spurtle) and Clementine Anderson (Mary), the short film is set in the rural town of Dalby, Queensland. In the heat of a summer’s eve outside a hairdressing salon, innocence curdles with cruelty as a young girl’s silence breaks with an irreversible act. The creative team for The Novelty will be mentored by director Noora Niasari. Principal production funding from Screen Australia in association with Screen Queensland.
Inferno: A haunting coming-of-age story directed and written by Mark Wills (The Horn, Blood Orange), produced and written by Rahel Romahn (The Horn, Blood Orange), with producer Yolandi Franken (Streets of Colour, The Horn, Carmen & Bolude). When a group of teenagers plot a cruel prank on an alienated boy, they unwittingly awaken a quiet force within him. The Inferno team will be mentored by director and screenwriter Goran Stolevski. Principal production funding from Screen Australia.
Lazy Love (Lasagne 365): An adult animation from animation duo Haein Kim (director) and Paul Rhodes (writer, director), and produced by writer, director and producer Robertino Zambrano (Love in the Time of March Madness) who is executive producing with Dulce Aguilar. The short film follows Apple, out to avenge an insult against so‑called ‘stinky Asian food,’ and Toby, whose mission is to track down the best lasagne in Western Sydney. The Lazy Love team will be mentored by directors, screenwriters and animators Isobel Knowles and Van Sowerwine. Principal production funding from Screen Australia.

Screen Australia also funded recently announced series The Airport Chaplain and Separated at Birth, with support for further major Narrative Content projects to be announced in coming months. 
Both Narrative Content Production and Development blocklines are available here.
For accompanying image assets, click here.
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